115 The Gunfighters Episode 1: A Holiday for the Doctor

EPISODE: The Gunfighters Episode 1: A Holiday for the Doctor
OVERALL EPISODE NUMBER: 115
STORY NUMBER: 025
TRANSMITTED: Saturday 30 April 1966
WRITER: Donald Cotton
DIRECTOR: Rex Tucker
SCRIPT EDITOR: Gerry Davis
PRODUCER: Innes Lloyd
RATINGS: 6.5 million viewers
FORMAT: DVD: Doctor Who - Earth Story (The Gunfighters/The Awakening)

So fill up your glasses,
And join in the song.
The law’s right behind you,
And it won’t take long.
So come, you coyotes
And howl at the moon,
Till there’s blood upon the sawdust,
In The Last Chance Saloon.

The Tardis arrives in Tombstone Arizona with the Doctor seeking a dentist. Found by the sheriff, Wyatt Earp, the Doctor passes them off as a group of travelling players. He finds Doc Holliday, newly arrived in town and recently set up shop, who's being pursued by Seth Harper and the three Clanton brothers who want revenge for Doc Holliday killing their brother. Harper,who has never seen Holliday before, mistakes the Doctor for him and lures him to the Saloon where they've forced Dodo to play piano and Steven to sing for them. The Doctor unwittingly wanders towards the gunmen lying in wait inside the saloon.

Another historical comedy story, once again from the pen of Donald Cotton who wrote the Myth Makers. I watch the episode and smile, as the whole regular cast look like they're having a great time dressing up as cowboys, with Peter Purves once again giving an airing to the American accent he used for Morton Dill in The Chase and Hartnell, once again, obviously rising to the comedy which he does so well!

There's a couple of nice aerial shots of the interior of the Last Chance Saloon which help give the area a sense of space.

Needing a quick explanation of what they're doing in the town the Doctor bluffs that they are Entertainers:

MASTERSON: Who're your friends, Wyatt?
WYATT: Well I, er
DOCTOR: Oh, quite, quite so. Allow me, sir, to introduce Miss Dodo Dupont, wizard of the ivory keys, and er Steven Regret, tenor. And lastly sir, your humble servant Doctor Caligari.
MASTERSON: Doctor Who?
DOCTOR: Yes, quite right.

The Doctor's name is taken from The Cabinet of Dr. Caligari, a famous German horror film

His companions are less impressed with his choice.

STEVEN: Look I don't know why you wanted to say it in the first place. Steven Regret? What kind of a name's that for a singer anyway?
DOCTOR: Oh, my dear young man, can't you sing a little?
STEVEN: Well yes, a little, but why say it at all?
DOCTOR: Well, I had to find some sort of suitable cover. After all, you can't walk into the middle of a Western town and say that you've come from outer space. Good gracious me, we'd all be arrested on a vagrancy charge.

Sure enough they're soon being forced to play their roles in The Last Chance Saloon while The Doctor gets set up for a case of mistaken identity! There's a nice play of words in the title which is used again in the episode:

HARPER: Doc!
DOCTOR: What? Yes, yes, what is it?
HARPER: Holliday!
DOCTOR: Holliday? Yes, I suppose so. Yes, you could call it that.
HARPER: My name's Harper, Seth Harper.
DOCTOR: Oh, well, I'm very glad to know you Mister Harper. Yes, I suppose you've brought a message from my friends.
HARPER: Well, a kind of a message, Doc. The boys are waitin' for you at the saloon. They'd sure like to buy you a drink.
DOCTOR: Oh, well, that's very sociable of them, but unfortunately I don't touch alcohol.
HARPER: That's not what I heard, Doc, but we'll play it your way.
HARPER: Look, we'll give you five minutes, and if you ain't there we'll come looking for you, okay?

The Doctor thinking he's talking about having a Holliday of sorts while Harper thinks he's Doc Holliday!

Charlie the Barman is, at last, an in front of the camera appearance for David Graham who has voiced many of the Daleks before now. Curiously the cast also features Shane Rimmer, as Seth Harper. Both Graham and Rimmer will later find fame in Thunderbirds as Brains and Scott Tracy respectively. You'll have seen Shane Rimmer in front of the camera in many other places including UFO, Space 1999, The Spy Who Loved Me, Superman II and Batman Begins. I recall watching Batman back and loving it, then up pops Shane Rimmer as the monorail controller! A few years back Liz had Superman II on recently and even over a crying four year old I recognised that voice! He's allegedly in Star Wars but I'd never clocked that the character he plays was him!

After David Graham the member of the cast with the largest connection to Doctor Who is Richard Beale who plays Bat Masterson. He'd already been the voice of the Refusian in The Ark episodes 3 & 4: The Return & The Bomb. He returns as the voice of the Broadcaster in The Macra Terror and The Minister of Ecology in The Green Death episode three. He's also got a Blake's 7 appearance to his name as Saymon in The Web.

His fellow lawman Marshal Wyatt Earp is played by who I've seen in The Biderbecke Tapes as Tracy.

Onto the Clanton Brothers:

David Cole is Billy Clanton. He'll return to Doctor Who in Full Circle Part Two as an uncredited Citizen.

William Hurndell is Ike Clanton and you can hear him interviewed on Toby Hadoke's Who's Round #73.

For completeness the final brother Phineas Clanton is played by Maurice Good.

Sheena Marshe plays Doc Holliday's lady friend Kate. She's got an appearance in The Prisoner episode The Girl Who Was Death as The Barmaid to her name.

There's 4 cowboy extras credited on each episode of this story. For this episode IMDB says they are John Caesar, Roy Curtis, Bill Smith & John Doyle. For the following episodes Doyle is replaced by the similarly named John Doye. Same actor? Having consulted with M'Learned Colleagues the consensus is that it is the same actor for all four episodes of this series and, because Mr Hadoke has seen an obituary for him, that the correct spelling is Doye. So do the contents of both entries on IMDB belong to the same actor? Lets have a look at their credits:

Episode 1 John Doyle

Cowboy in A Holiday for the Doctor
UNIT Soldier in Doctor Who and the Silurians episode 2
Grecian Man in Four to Doomsday part two
Grecian Man in Four to Doomsday part three

Episodes 2-4 John Doye

u Cowboy in Don't Shoot the Pianist
u Cowboy in Johnny Ringo
u Cowboy in The O.K. Corral
Interviewer in The War Machines episode 1

Now if you've been reading the bits of the blog that have looked at extras you'll have spotted that The War Machines and The Silurians keep popping up on CVs from around this time some I'm inclined to say that the Silurians credit is for Doye. The Greeks in Four to Doomsday are either older bearded men or warriors in helmets with masks so we can't be sure there!

John Caesar meanwhile has been in Doctor Who before: he was an uncredited Egyptian Warrior in Dalek Masterplan 9: The Golden Death and credited as Monoid Four in The Ark part 4 The Bomb. After this he's a guard in all four episodes of The Macra Terror, uncredited for the first three but credited for the fourth, a Pirate Guard (episode 1) and a Pirate (episodes 3 & 4) in The Space Pirates (all uncredited), followed by two credited roles in the Pertwee era: C.P.O. Myers in The Sea Devils episode six and the R / T Soldier in Invasion of the Dinosaurs part one.

114 The Celestial Toymaker Episode 4: The Final Test

EPISODE: The Celestial Toymaker Episode 4: The Final Test
OVERALL EPISODE NUMBER: 114
STORY NUMBER: 024
TRANSMITTED: Saturday 23 April 1966
WRITER: Brian Hayles
DIRECTOR: Bill Sellars
SCRIPT EDITOR: Gerry Davis
PRODUCER: Innes Lloyd
RATINGS: 7.8 million viewers
FORMAT: DVD: Doctor Who - Lost In Time

"Lady Luck will show the way, win the game or here you'll stay."

We're back on DVD and with the trusty Doctor Who - Lost In Time set for the final episode of this story, and indeed it's our last use of Lost in Time for the Hartnell era.

Dodo & Steven play schoolboy Cyril at a version of hopscotch involving numbered stepping stones surrounded by an electrified floor. Cyril's cheating results in them being penalised and he winning the game. However Cyril slips from a stone celebrating and is killed.

The Doctor reaches the penultimate move in his game and is poised to win becoming visible again. He goes to leave with Steven & Dodo but the Tardis is immobilised by the Toymaker who won't let them leave until the Doctor completes the game. However the Doctor knows that completing the game and defeating the Toymaker will destroy the Toymaker's realm. A chance remark from Steven about not being able to talk their way out of the situation gives The Doctor the solution: he impersonated the Toymaker's voice and orders the Trilogic game to advance to the final move. Celebrating with a packet of sweets Dodo obtained from Cyril, The Doctor hurts a tooth.

A game of two halves this episode: The hopscotch game works well and the Trilogic Game interludes work much better on screen than on sound, both of which make me wonder how much better the preceding three episodes might have worked with their pictures.

The visuals here shed a lot of light on some things: The Robots, which I've seen in several publicity photos and couldn't work out what role they played in the story, have a counter in their chest that shows Steven and Dodo how many moves the Doctor has left!

We catch a brief glimpse of the Toymaker's Dolls house and the space he has set aside for Steven and Dodo, both of which look superb.

Unfortunately we can also see the Hopscotch game room and the Toymaker's control area both of which look like television studios and are shouting Play School set at me!

To make matters worse you can see that the Tardis prop is obviously mounted on castors!

However there's some great missing effects here with the illusionary Toymaker and the Doctor's disembodied hand!

And it would be reminisce of me not to point out how bad Dodo's costume is now we can see it.... though she does become the first character in Doctor Who to wear fishnets!

After Steven, Dodo & The Doctor conquer their respective challenges the episode sags a bit as the travellers try to find out why they can't leave.

We do learn some things about the Toymaker in the later half of the episode though:

DOCTOR: If we destroy the Toymaker, we destroy this world.
STEVEN: Well, is that bad?
DODO: Surely, that's a good thing. This is really a very sad place.
DOCTOR: I don't think neither of you understand. As the games are over, and won by us, everything outside the Tardis disappears. And if we are there, we disappear also.
DODO: But we have won and it hasn't happened yet.
DOCTOR: But it will, my dear, the moment I go out there and make the final move of the trilogic game.
STEVEN: Why doesn't he just let us go? He can't want to be destroyed.
DOCTOR: Oh, he won't be.
DODO: But if everything disappears, why not him?
DOCTOR: If the Toymaker loses the game, his world will vanish, but he has the power to build a new one.
DODO: How?
DOCTOR: The Toymaker is immortal. He's lasted for thousands of years. Very occasionally, of course, he loses a game, and then he has to pay the price.
STEVEN: And that price is the loss of his world?
DOCTOR: Yes, but he himself is not destroyed. He goes on forever.
STEVEN: So we can't leave.
DOCTOR: There must be a way.

DODO: We'll never see him again, will we, Doctor?
DOCTOR: Oh, my dear, don't talk too soon. The mind is indestructible. So is the Toymaker.
STEVEN: What, you mean he can never be destroyed?
DODO: But you defeated him.
DOCTOR: Yes, just at this moment, but there will be other meetings in an other time.
DODO: Then your battle with him will never end.
DOCTOR: Yes, you're quite right, my dear, but anyway, let us cheer up. After all we did win the games.

The kind of power The Toymaker has and excises puts him in the same league as some of the godlike beings in Doctor Who: The Animus, The Great Intelligence, The Nestene Consciousness, Omega, The Black & White Guardians, The Mara, The Eternals, Rassilon, The Gods of Ragnarök & Fenric. Indeed there's several groups there to which he could belong, several of which like amusing themselves with games: The quest for The Key to Time might as well be one big game, and the Eternals race in Enlightenment certainly is. See also The Game of Rassilon in The Five Doctors, designed to trap the greedy and power hungry in his race, the circus Entertainment in Greatest Show In the Galaxy and the overlong chess match between the Doctor & Fenric in Silver Nemesis and the Curse of Fenric. Games, tests and traps, although set by more mundane beings, also play a part in Death to the Daleks, Pyramids of Mars and The Hand of Fear.

The nearest thing to the Celestial Toymaker story wise in Doctor Who is the Mind Robber, set in a fantasy realm albeit with a displaced human in control.

My refrain right the way through this story has been "would be better if we could see what's going on" and I think that sums the whole thing up nicely. There's some nice inventive ideas here, which can be seen by how often Doctor Who uses similar themes, but a lot of them are very visual. Equally the one episode we do have isn't the most exciting visually and has some limits.

The original version of this blog entry concluded with one of those paragraphs that it's now necessary to revise :-)

Incredibly the run of five episodes from here through the four episodes of the Gunfighters is the most number of consecutive episodes present in the BBC archives from Seasons 3, 4 or 5 of the program!

As we shall see that's now not true!

Season 4 has a three episode run, the first three episodes of Tenth Planet, the only consecutive episodes from that season existing,

There's now two consecutive episodes of The Underwater Menace, the second and third, which feature Peter Stephens who plays Cyril in this story.

while season 5 has a four episode run, the entirety of the Tomb of the Cybermen, and a three episode run, the last three episodes of the Ice Warriors, plus the final episode, Wheel in Space, marks the starts of an Eleven episode run into Season 6 through The Dominators & The Mind Robber.

Season 5 now has an ELEVEN episode run in the middle of it: the aforementioned last three episodes of The Ice Warriors, all six episodes of The Enemy of the World and the first two episodes of Web of Fear. This is now the longest run of existing episodes in decimated seasons 3-5.

Season Six contains 14 consecutive episodes: The last four of the Invasion, The four episode Krotons and six episode Seeds of Death. For completeness I should mention the ten consecutive episodes of the War Games at the end Season 6, but that marks the point from which all episodes of Doctor Who are known to exist, and the question then becomes what format do we hold them in and are they in colour........ but we'll talk about that much later.

The Celestial Toymaker was novelised by Script Editor Gerry Davis and Alison Bingeman in 1985.

Episode four is the only episode of the Celestial Toymaker to exist, returned from the ABC in Sydney. It's believed it was a copy sold to the ABC, passed to TVS in Singapore and the returned to the ABC by accident who put it into storage, forgot about it, found it and returned it to the BBC in early 1984. It was released on the Hartnell Years VHS tape along with the Pilot episode and The Crusade part 3, and on DVD as part of Doctor Who - Lost In Time. All four episodes have had their soundtrack released with narration by Peter Purves. Doctor Who: the Celestial Toymaker was released in April 2001 and has recently been re-released as part of Doctor Who: The Lost TV Episodes Collection: (1965-1966) No. 2

113 The Celestial Toymaker Episode 3: The Dancing Floor

EPISODE: The Celestial Toymaker Episode 3: The Dancing Floor
OVERALL EPISODE NUMBER: 113
STORY NUMBER: 024
TRANSMITTED: Saturday 16 April 1966
WRITER: Brian Hayles
DIRECTOR: Bill Sellars
SCRIPT EDITOR: Gerry Davis
PRODUCER: Innes Lloyd
RATINGS: 9.4 million viewers
FORMAT: CD: Doctor Who: The Lost TV Episodes Collection: No. 2

"Hunt the key to fit the door that leads out on the dancing floor. Then escape the rhythmic beat, or you'll forever tap your feet!"

Steven & Dodo find themselves in the kitchen of Mrs Wiggs, who's arguing with Sergeant Rugg while Cyril the kitchen boy dozes in the kitchen.

Dodo & Steven need to hunt the key, which they eventually find hidden in one of Mrs Wigg's pies. Alas the Tardis at the end of this game is a fake too. They then proceed to a dance floor where they are forced to dance with the dolls against Sgt Rugg & Mrs Wiggs.

Steven swaps partners to unite with Dodo and the both jump off the Dance floor by another Tardis.... which is again fake.

They then meet Cyril, now dressed as a schoolboy who says they can call him Billy. He will be their opponent in the next game.

Worked a bit better for me again this episode. I'm feeling the absence of Hartnell somewhat, especially after the Doctor is missing from Dalek Masterplan 11 and most of the Massacre. I know the invisible Doctor's game with the Toymaker is meant to be adding tension and a time limit to what Steven & Dodo are doing but this isn't for me. Peter Purves says this is one of his favourite stories, along with the Massacre, both of which feature Steven working away from the Doctor for a period of time thus giving the actor more to do.

It should be noted that the schoolboy Cyril seems to resemble Billy Bunter, and the comment he makes would make it seem that that was the intention:

Hello, remember me? I'm Cyril, known to my friends as Billy. Had you that time! Scare ya?

However the copyright holders for Billy Bunter complained and a voice over announcement was made denying any connection between the characters.

Peter Stephens plays the schoolboy, Cyril. Stephens was The Knave in the previous episode too who, like Cyril in the Kitchen, slept on the sidelines of the clash with the King & Queen in the last episode. He makes a return Doctor Who appearance as the priest Lolem in The Underwater Menace.

Sgt Rugg & Mrs Wiggs are played by Campbell Singer and Carmen Silvera who were the Clowns in the first episode and the King & Queen of Hearts in the second. The Dolls/Dancers are played by Beryl Braham, Ann Harrison and Delia Linden . Meanwhile the Doctor's Hand is provided by Albert Ward, who performs the same role in The Smugglers!

The next episode of The Celestial Toymaker exists and from the start of the following story we have telesnaps for all of the missing episodes up until the point where John Cura stopped taking his telesnaps during The Dominators. The next episode with no visual record is episode 220 The Invasion: Episode One. That didn't use to be the case: when the telesnaps were discovered the photos for episode 189 The Enemy of the World part 4 were missing but fortunately this episode was returned in 2014.

One of the concepts in the story, the invisible Doctor, was meant to serve as a means to replace Hartnell with another actor. Producer John Wiles and lead actor William Hartnell never got on as several people testify, notably Peter Purves in The Ark DVD commentary. However Wiles' BBC bosses, the aforementioned Gerald Savory and his superior Sydney Newman, who was involved in the creation of Doctor Who, refused and so that function of the plot had to be dropped contributing to Wiles' departure from the series. In fact this story marks the production debut of Innes Lloyd, who inherited his first few stories from Wiles. His first decisions can be seen in The Savages episode 1, where the individual story episode titles disappear in favour of story titles, but the War Machines is a much better picture of what he was really after creatively.

112 The Celestial Toymaker Episode 2: Hall of Dolls

EPISODE: The Celestial Toymaker Episode 2: Hall of Dolls
OVERALL EPISODE NUMBER: 112
STORY NUMBER: 024
TRANSMITTED: Saturday 09 April 1966
WRITER: Brian Hayles
DIRECTOR: Bill Sellars
SCRIPT EDITOR: Gerry Davis
PRODUCER: Innes Lloyd
RATINGS: 8 million viewers
FORMAT: CD: Doctor Who: The Lost TV Episodes Collection: No. 2

"Four legs, no feet, of arms no lack, it carries no burden on its back."

Steven & Dodo are forced into a new game by the Toymaker. Attempting to help them, the invisible Doctor is silenced too by the Toymaker who advances the Doctor's own game and thus depriving his companions of time.

Faced with a set of seven chairs the companions have to find which one is safe by using dolls. However they're playing against a King & Queen from a pack of cards who cheat sacrificing their Jack to test a chair while the Knave sleeps through the experience. Three dolls remain after Steven & Dodo complete the task and the dolls follow them out of the room.

This episode was a little easier to follow than the previous one and made more sense to me. The chairs are a little easier to visualise than the boardgame/hopskotch from the previous episode. It's still very very odd though.

You remember the agreement? They must find your Tardis before you finish your game. If they don't, then you will have to stay here and you'll be in my power forever!

Conceived as a way of pushing the boundaries of the show into the relams of fantasuy the story was redrafted firstly by then script editor Donald Tosh followed by his successor Gerry Davis leaving it unrecognisable from what was originally written. Included had been George & Margaret, characters from the play of the same name written by Gerald Savory, then head of serials at the BBC, in an attempt to flatter him. He objected and forced the final rewrite to remove them! However actors has already been cast in these roles so they needed to be utilised for these first three episodes....

.... so the King & Queen characters in this episode are played by the same actors that were the clowns in the previous episodes and will play Sgt Rugg/Mrs Wiggs in the next episode.

Clara Clown, The Queen & Mrs Wiggs are played by Carmen Silvera, later to find fame as Edith Artois in Allo, Allo. She returns to Doctor Who in the 1974 story Invasion of the Dinosaurs where she plays Ruth.

The original version of The Celestial Toymaker was written by debut Doctor Who author Brian Hayles and it's his name that is credited on the finished program. His efforts, despite later alterations, were obviously thought to be good enough as he was asked back to write the historical story The Smugglers shortly after. The next year Brian Haylessssss would be back again with a much more memorable creation that would make a lasssssting contribution to Doctor Who: The Ice Warriors.

The director for this show is also making his Doctor Who debut but unlike Hayles this is Bill Sellars only job on the show. He later became a BBC producer most notably working on All Creatures Great and Small, the show that brought actor Peter Davison to national attention before he on the role of the Fifth Doctor.

111 The Celestial Toymaker Episode 1: The Celestial Toyroom

EPISODE: The Celestial Toymaker Episode 1: The Celestial Toyroom
OVERALL EPISODE NUMBER: 111
STORY NUMBER: 024
TRANSMITTED: Saturday 02 April 1966
WRITER: Brian Hayles
DIRECTOR: Bill Sellars
SCRIPT EDITOR: Gerry Davis
PRODUCER: Innes Lloyd
RATINGS: 8 million viewers
FORMAT: CD: Doctor Who: The Lost TV Episodes Collection: No. 2

"Turn away from it, dear boy! We're now in the world of The Celestial Toymaker, and that screen is hypnotic. He's trying to dominate your mind!"

The Tardis is in the domain of the Celestial Toymaker, a Mandarin like figure. He has compelled the crew to play his games to regain the Tardis. Steven & Dodo are forced into playing against the Toymaker's clown dolls which he has brought to life, whilst the invisible Doctor plays the Trilogic Game. Steven and Dodo win their round of Blind Man's Bluff discovering the clowns are cheating, but the Tardis they find at the end of the game is a fake.

Welcome to one of *the* oddest Doctor Who stories ever. VERY highly thought of by fans who saw it on first broadcast it's reputation has slipped somewhat since it became widely available in audio form, for the first three episodes, and the fourth episode which was recovered during the 1980s. Whenever I listen to the first 3/4 of the story it just sounds very odd to my ear and I think moving visuals would help no end. Unfortunately this is one of those stories for which there are no telesnaps existing so we don't know what a lot of it looks like. The are, however, a number of high quality colour publicity photos covering almost all the credited characters and cats so we've a pretty good idea how they looked.

There's some interesting stuff with the visuals we are missing though:

STEVEN: Hey! Look! That's me!
DODO: What is?
STEVEN: Here, on this screen!
DODO: What screen?
STEVEN: Here! That's me on the planet Kemble!
DODO: There's nothing there.
DOCTOR: But I believe I now know where we are.
STEVEN: It's changed again. There I am in Paris.
DOCTOR: Now turn around this instant! Turn away from it, dear boy! We're now in the world of The Celestial Toymaker, and that screen is hypnotic. He's trying to dominate your mind.
STEVEN: But, Doctor....
DOCTOR: There is nothing there. Do you understand me? There is nothing there at all. You must believe me.
STEVEN: What was it? What happened?
DODO: What's the matter, Doctor? I couldn't see anything on the screen.
DOCTOR: Come here, child. Now whatever you do, you must not allow yourself to be trapped into looking at it.

We visited Kemble in The Dalek Masterplan and Paris in The Massacre. Obviously there's some sort of visual representation there but is it still photos or actual footage from the story? Either way it's the first time something from a previous story has been shown, rather than just being referred to, in Doctor who.

The Toymaker uses the same trick again on Dodo:

TOYMAKER: Just watch over there.
DODO: It's me the day my mother died!
DOCTOR: Turn away from it this instant!
STEVEN: Look away.

We knew Dodo was an Orphan, who lived with her Aunt, from her introduction at the end of The Massacre part 4.

Like the Monk, who we met in The Time Meddler and The Dalek Masterplan, the Doctor appears to have met the Toymaker before:

STEVEN: What's this extraordinary place?
DOCTOR: Well, I'm not quite sure, dear boy, but it's, it's somewhat familiar.

DOCTOR: You! I might have guessed.
TOYMAKER: Of course. I've been waiting for you a long time.

DOCTOR: You will kindly cease this practical joking, and let us go at once.
TOYMAKER: Patience, Doctor, patience. You've only just got here. Relax. It's so nice to see you again.
DOCTOR: And now you have, so let us go.
TOYMAKER: You're so innocent, Doctor. The last time you were here, I hoped you'd stay long enough for a game, but you had hardly time to turn around.
DOCTOR: And very wise I was, too. You and your games are quite notorious. You draw people here like a spider does to flies. TOYMAKER: How absurd. It amuses me to give amusement.
DOCTOR: And should they lose the game they play, you condemn them to become your toy forever.
TOYMAKER: That is one of my rules, certainly. But if they win, they're perfectly free to go.
DOCTOR: And if I refuse?
TOYMAKER: Then you lose by default. Is that what you choose?
DOCTOR: No, I do not. I should never have left the Tardis.
TOYMAKER: You're so insatiably curious. That's why I ensured that the scanner would be blank. I knew that would bring you out.

He's certainly not impressed with their captor:

DODO: Who's the Celestial Toymaker?
DOCTOR: He's a power for evil. He manipulates people and makes them into his playthings.

But the Toymaker has the Tardis and like many early stories the Tardis crew are forced to participate in events because it's the only way to get the Tardis back.

TOYMAKER: So you still think that you can pit your mind against mine?
DOCTOR: Of course I can.
TOYMAKER: Good. I hope that the time you have spent dabbling in your researches round the universe hasn't dulled you. I need you.
DOCTOR: You need me?
TOYMAKER: Yes. I'm bored. I love to play games, but there's no one to play against. The beings who call here have no minds and so they become my toys. But you will become my perpetual opponent. We shall play endless games together, your brain against mine.
DOCTOR: As you said, if I win the game, I can go.
TOYMAKER: So you can, Doctor, so you can. But I think you will lose.

The Doctor is playing the Trilogic game, which is based on The Towers Of Hanoi. Counters of decreasing size from top to bottom are arranged on the first post. The object is to move all the counters to the third post. Only one counter can be moved at a time. No counter can sit on one smaller than itself.

The solution for 1 counter is trivial:

Move counter 1 from Tower 1 to Tower 3.

One Move.

For two counters you move:

Counter 1 from Tower 1 to Tower 2
Counter 2 from Tower 1 to Tower 3
Counter 1 from Tower 2 to Tower 3.

Three moves.

For three counters you move:

Counter 1 from Tower 1 to Tower 3
Counter 2 from Tower 1 to Tower 2
Counter 1 from Tower 3 to Tower 2
Counter 3 from Tower 1 to Tower 3
Counter 1 from Tower 2 to Tower 1
Counter 2 from Tower 2 to Tower 3
Counter 1 from Tower 1 to Tower 3.

Seven moves.

In fact the minimum number of moves is always one less than Two to the power of the number of counters. For 1 counter it's 2 minus 1, for two counters it's two squared minus 1, for three it's 2 cubed minus 1..... 1023, the number of moves the Doctor has, seems to indicate that he's playing with ten counters: 2 to the power of 10 is 1024. Take one away you get 1023. Yes I studied it in college as part of my Maths & Computer Science degree. It's used to teach recursion and other programming concepts.... which reminds me of the dictionary definitions:

Repetition: See Iteration

Iteration: See Repetition

Recursion: See Recursion

Well I thought they were funny when I heard them at University!

Peter Purves kept the Trilogic game after filming. Believing it was bringing him bad luck preventing him from finding work he threw it away and was the next week offered the Blue Peter job.

The main guest character for this series, the Celestial Toymaker himself, is played by noted actor Michael Gough, who you may know as Alfred from the 80s and 90s Batman movies. He's got one return to Doctor Who, in 1983 as Hedin in Arc of Infinity, but may well have reprised the role of the Toymaker in The Nightmare Fair if the planned 23rd season of Doctor Who hadn't been cancelled during 1985. At the time he was married to the actress Anneke Wills who we'll be seeing in a few weeks time.

110 The Ark Episode 4: The Bomb

EPISODE: The Ark Episode 4: The Bomb
OVERALL EPISODE NUMBER: 110
STORY NUMBER: 023
TRANSMITTED: Saturday 26 March 1966
WRITER: Paul Erickson & Lesley Scott
DIRECTOR: Michael Imison
SCRIPT EDITOR: Gerry Davis
PRODUCER: John Wiles
RATINGS: 7.3 million viewers
FORMAT: DVD: Doctor Who - The Ark

"You must travel with understanding as well as hope."

The loss of the launcher causes dissent in the Monoid ranks, led by 4 who opposes 1's rule. The Monoids leave the Ark for Refusis taking with them their own shrunken race. Finding the wreckage of the capsule causes a battle to erupt between the two Monoid factions. The Refusian travels back to the Ark in one of the Launchers and when the Doctor learns that the bomb is in the statue he uses his great powers to throw the statue off the ship out of the airlock. 4's forces win the battle and return to the Ark with the Doctor & Dodo. The Refusian welcomes both Monoids and Humans to his planet but only if they can live together in peace. The Tardis crew leave, but shortly after the Doctor vanishes from the console room...

This is one of those episodes that's growing on me as time goes by. Having encountered the Monoids and Humans the Refusian is starting to have concerns about sharing his planet with them

REFUSIAN: Doctor, we are, as you know, concerned about the arrival of the Ark and what it will mean to this planet.
DOCTOR: Yes, yes, I can quite understand that. That is why you destroyed the Launcher?
REFUSIAN: Here, we've always known peace. Never war or conflict.
DODO: You're not the only ones like that. The Guardians, you know the humans who travel in the spaceship, they have used to have your ideas too.
DOCTOR: Yes, that's true my dear but, you mustn't think they were perfect. Oh, no. Sometimes they were extremely intolerant and selfish.
REFUSIAN: Is that why they were conquered by the Monoids?
DOCTOR: Exactly.
DODO: Yes, I know. But there are some of them left who wouldn't mind rising up against the Monoids and trying to do better.
REFUSIAN: Then we will allow them time to make their attempt. We will wait for the passing of one day before we think in terms of employing defensive measures.

The Monoids then are divided and fall on each other wiping most of them out. That then leaves just the bomb on The Ark, which still holds the miniaturised Human & Monoid populations so must be found and destroyed. Fortunately the Refusian is willing to help and moves the statue out of the ship. How does he do it? He's small enough to fit into the capsule yet moves that huge statue? Can he change size? Has super strength? Telepathy?

It's then left to the Doctor to remind the Guardians of their responsibilities to their co-travellers:

DODO: Do you think you'll be able to get everything down onto Refusis now?
DASSUK: We'll manage, especially if the Refusians help us.
REFUSIAN: We'll do everything we can to assist you in settling on our planet.
DASSUK: Thank you.
REFUSIAN: But one thing you must do.
VENUSSA: What's that?
REFUSIAN: Make peace with the Monoids.
DOCTOR: He's right. A long time ago, your ancestors accepted responsibility for the welfare of these Monoids. They were treated like slaves. So no wonder when they got the chance, they repaid you in kind.
REFUSIAN: Unless you learn to live together, there is no future for you on Refusis.
DASSUK: We understand.
DOCTOR: Yes, you must travel with understanding as well as hope. You know, I once said that to one of your ancestors, a long time ago. However, we must be going. Goodbye.

As a whole I'm not wildly enthusiastic about the Ark as a story. There's some nice background ideas being thrown around and I like the idea of returning to the scene of an earlier adventure to examine the consequence. But both are done better later: notably Curse & Monster of Peladon return to the same place 50 years later and we get human populations being shipped to new homes on Spaceships in Invasion of the Dinosaurs, Frontios and, notably, Ark in Space.

But my appreciation for the technical aspects knows no grounds. Knowing the limitations of how Doctor Who was made in the sixties this episode is a wonder being recorded out of scene order and then assembled in the editing suite featuring a pitched battle shot on film and several effects shots of the launcher travelling. Seriously, watch this with the production subtitles on, you'll be amazed at what they managed and appreciate the effort even if the story doesn't do it for you. What's more amazing is that Michael Imison was no longer required as a director by the BBC after masterminding this story: his superiors handed him notice terminating his directorial contract as the final episode went before the cameras. Given the technical accomplishments here that's criminal. He would go on to script edit the second season of Out of the Unknown later in 1966, 4 examples of which survive to this day and can be seen as part of the Out of the Unknown 7-Disc DVD Set.

A couple of new Monoid extras are added to the throng this episode: John Caesar has been the 2nd Man in Market in The Romans 1: All Roads Lead to Rome and an Egyptian Warrior in Dalek Masterplan 9: Golden Death. He returns as a Cowboy in all four episodes of The Gunfighters, a guard in all four episodes of the Macra Terror and even gets an onscreen credit in the fourth episode, a Pirate Guard in The Space Pirates episode 1 and a pirate in episodes 4 & 5 of the same story, C.P.O. Myers in The Sea Devils episode six and the R/T Soldier in Invasion Of The Dinosaurs part one. Bill Richards was previously a Sailor in The Chase 3: Flight Through Eternity and returns as a Pirate in The Space Pirates episodes 1 & 4, an Alien Guard/Union Recruit in The War Games episode three and an 1862 Union Soldier in The War Games episode four.

We've been on DVD for our first complete story this season, but next episode we're back to Audio. In fact from here on in Hartnell's reign there's almost an odd exists/missing pattern to the stories:

The Ark	Exists
Celestial Toymaker	Missing (bar part 4)
The Gunfighters	Exists
The Savages	Missing
The War Machines	Exists
The Smugglers	Missing
The Tenth Planet	Exists (bar, annoyingly, part 4)

Officially producer John Wiles departs as of the end of this episode, but with the departed Donald Tosh his influence will be felt for a while yet. Lurking in the background of the production staff of this series are a couple of names that will be familiar later on: Chris D'Oyly-John, the AFM, will be a production assistant and production unit manager on many forthcoming Doctor Who stories while Production Assistant David Maloney, who has already served in the same role on The Rescue & The Romans, will return many times as a director before becoming producer of Blake's 7

Paul Erickson's sole further contribution to Doctor Who was to novelise this story for Target books in 1986. It was released on video in 1998 and on DVD on 14th February 2011 just before I first blogged about this story.

109 The Ark Episode 3: The Return

EPISODE: The Ark Episode 3: The Return
OVERALL EPISODE NUMBER: 109
STORY NUMBER: 023
TRANSMITTED: Saturday 19 March 1966
WRITER: Paul Erickson & Lesley Scott
DIRECTOR: Michael Imison
SCRIPT EDITOR: Gerry Davis
PRODUCER: John Wiles
RATINGS: 6.2 million viewers
FORMAT: DVD: Doctor Who - The Ark

"Take them away to the security kitchen"

The Monoids have taken over the Ark, enslaving the Guardians who were left weakened by the virus, and creating a technology to allow them to speak. Steven is imprisoned in the security kitchen and put to work while The Doctor & Dodo are sent with Monoid 2 and a Guardian on the landing party to Refusis.The Doctor & Dodo are befriended by an invisible but powerful Refusian who inhabits a castle that was built for the expected human visitors. Monoid 2 flees the castle, kills the Guardian and is killed when the landing pod explodes. Meanwhile the Monoids plan to abandon the humans on the Ark and then destroy it using a bomb built into the statue.

While the pace of the story is little pedestrian in places this episode, watching it with the production subtitles on makes me realise what a technical achievement these episodes are with lots of clever camerawork, effects & model sequences.

One thing this episode does is for the first time the Doctor is confronted with the consequences of his actions on a previous visit:

DOCTOR: Well, er, yes. But when we were here some time ago we also were friends of your forebears. They were called Monoids. Things were very different then.
YENDOM: These strangers, they
MONOID 2: You speak of the distant past. Following the recent revolution we are now the masters.
DOCTOR: I see, and the human beings?
MONOID 2: They work for us. Is that not true, Yendom?
YENDOM: Yes.
MONOID 2: We conquered and you obey. And these strangers, they will also obey. Now you will come with us.
STEVEN: Where?
MONOID 2: To our leader

So whatever happened is actually quite a recent occurrence.

MONOID 1: According to the history scan you brought a strange fever that killed many of our ancestors.
DODO: But we also helped to find a cure, didn't we? I mean, the Doctor did.
MONOID 1: He thought he did.
DOCTOR: And what do you mean by that?
MONOID 1: You controlled the immediate impact of the fever, but a mutation of it developed later on that sapped the will of the humans.
DODO: You mean that it was our fault that you took over because of the fever?
MONOID 1: In part.
STEVEN: There were other reasons?
MONOID 1: The main reason was the Guardians themselves. They were a simple people. They actually encouraged the research from which we developed our voice boxes and heat prods. They were totally unprepared for the conflict when it came.
DODO: What happened to them?
MONOID 1: Many were killed. The rest are prisoners. A fact that you will shortly see for yourselves! Two, take them away to the security kitchen and then call a Grand Council.

So what happened to the Monoids to encourage them to revolt? Did their treatment become harsher as the journey progresses? Or did they merely sense and opportunity and grab it? They evidently want to blame the Doctor for the fever so maybe some grudge has been harboured in the Monoids community all these years for the deaths 700 years ago.

THE SECURITY KITCHEN ?????? WHAT ????? Secure kitchen maybe but Security Kitchen? Mad!

Note the upside down Phone Hood on the Security Kitchen's wall ! Then we have the invisible Refusians. Was it so wise to attempt an invisible monster so soon after the Visians in episodes 5 & 6 of the Dalek Masterplan, just 12 weeks previously. The are given marvellous presence by the booming voice of Richard Beale later to return as Bat Masterson in all four episodes of The Gunfighters, the Broadcaster/Propaganda Seller in The Macra Terror and the Minister of Ecology in The Green Death episode three.

DOCTOR: And that was their aim, to land there and recreate life on this planet.
REFUSIAN: Yes. We've known for some time of the journey of the vessel you call the Ark and we welcomed it. That is why we built places like this.
DOCTOR: I see. Just to make us comfortable? I didn't think you needed places like this for yourselves.
REFUSIAN: No. Once we had a shape and form something like you. Then there was a galaxy accident. A giant solar flare. Now, we no longer have a being that you can see or recognise.
DOCTOR: But can you see each other?
REFUSIAN: Not even that. Oh, we can sense one other but that is all. That is why it would have been good for Refusis to be inhabited again by life and the signs of life, provided that the beings that come to take our place are peaceful. Child, you are worried.

Still, unlike the Visians on Mira, the Refusians do seem to be friendly and welcoming, even going to the trouble of constructing dwellings for those that will soon share our world. It's a big contrast from the hostile attitude that Zentos was expecting in the first two episodes.

Last episode we had one of who's most frequent Guest Stars appear for the first time. Here we get the first appearance of arguable Doctor Who's best, certainly most prolific, voice artist: Roy Skelton makes his debut as some of the Monoid voices. He'll be back in a short while for The Tenth Planet, providing probably the best version of the Cybermen voices, which is a role he repeats in Wheel in Space. He provides voices during The Ice Warriors (Computer voice) & The Krotons (Kroton voices), appears in front of camera in Colony in Space (as Norton), Planet of the Daleks (briefly as Wester who he also supplies the voice for), in The Green Death (as James - a role taken on in an emergency as we'll see later) and under make-up in The Android Invasion (as Chedaki) and The Hand of Fear (as King Rokon). His most famous Who role is a recurring one voicing the Daleks in (deep breath) The Evil of the Daleks, Planet of the Daleks, Genesis of the Daleks, Destiny of the Daleks, The Five Doctors, Revelation of the Daleks & Remembrance of the Daleks plus the Children in Need special The Curse of Fatal Death. But beating even that for fame, he's the voice of Zippy & George in Rainbow, which he demonstrates to great effect on the Doctor Who - The Cybermen - The Early Years Video.

The ill fated Monoid Two is played by Ralph Carrigan, previously an Extra in The Myth Makers 4: Horse of Destruction. He'll be back as a Cheerleader in The Macra Terror episode 4, a Robot in episode 1, 4 & 5 of The Mind Robber episode 1 and a Cyberman in The Invasion episodes 6-8.

We've seen, or rather should have seen, the actor playing Maharis before: Terence Woodfield was the second Celation in The Dalek Masterplan appearing in episode 8 Volcano and episode 11 The Abandoned Planet.

Terence Bayler, who appears as Yendom, returns as Major Barrington in The War Games Episode One but has cinema immortality for his role in the Monty Python film Life of Brian where he gifts us the following gems:

Gregory: I'm Brian, and so's my wife!

Brian: Please, please, please listen! I've got one or two things to say.
The Crowd: Tell us! Tell us both of them!
Brian: Look, you've got it all wrong! You don't NEED to follow ME, You don't NEED to follow ANYBODY! You've got to think for your selves! You're ALL individuals!
The Crowd: Yes! We're all individuals!
Brian: You're all different!
The Crowd: Yes, we ARE all different!
Man in crowd: I'm not...

I saw him in the Polanski version of Macbeth, where he played Macduff. This film greatly amused my class because we clocked Keith Chegwin playing Banquo's son! Toby Hadoke interviews Bayler for Who's Round 74 which is well worth a listen.

Since we're now 700 hundred years in the future we've got a new crop of Guardians in the background for the next two episode: Royston Farrell is back as an Elder in The Savages episode 1, a Technician in The Seeds of Death episodes one & two, another technician in The Claws of Axos episode four and a Guard in The Curse of Peladon episode one. Alan Norburn & Victor Munt are both Inferno Customers in War Machines One (good lord, there's gonna be a lot of extras to list when we get to that episode) plus Munt returns as UNIT in Doctor Who and the Silurians episode 3. Michael Osborne was an extra in Small Prophet, Quick Return and returns in the speaking role of Sorak in The Horns of Nimon.